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Roanoke Review

Volume XLV

Ray Kass

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Ray Kass

About Ray Kass1

 

Ray Kass is an internationally recognized artist whose work is represented by Garvey/Simon: ART ACCESS in NYC and the Reynolds Gallery in Richmond, Virginia.

 

His paintings have been widely exhibited and have been represented in solo exhibitions in New York City by the Allan Stone Gallery, A.V.C. Contemporary Arts Gallery, ZONE: Chelsea Center for the Arts, Baumgartner Gallery, and ir77 Contemporary Art. He has received numerous grants and awards, including individual artists grants from the Virginia Museum of Fine Arts and  the National Endowment for the Arts. His paintings reside in many public and private collections.

 

Ray Kass is Professor Emeritus of Art at Virginia Tech, and founder and director of The Mountain Lake Workshop; an ongoing series of collaborative and inter-related workshops centered in the environmental, cultural, and community resources of the Appalachian region of southwestern Virginia. The workshops have resulted in many unique, collaborative works of art that have been widely exhibited. Artists who have completed several workshops at Mountain Lake (or are currently engaged in ongoing projects) include folk-artist Howard Finster, Japanese artist & sculptor Jiro Okura, the late avant-garde composer, writer composer and artist John Cage, waste management installation-artist Mierle Laderman Ukeles (official artist in residence of the New York Sanitation Dept.), ceramic artist, poet and author M.C. Richards (author of Centering), Colorado-based “EcoArtist”, Lynne Hull, NYC East Harlem “street- artist”, James De La Vega, Zen art scholar and artist, Stephen Addiss, and Paris-based sculptor and virtual-reality “light” artist, Jackie Matisse, as well as Ray Kass himself, among many others.

 

His publications include numerous reviews, articles and catalogs, including:  Sounds of The Inner Eye: John Cage, Mark Tobey and Morris Graves, Univ. of Washington Press, Seattle and London (2002) – (also in German: Klange des Inneren Auges, Kunsthalle Bremen/Beyeler Foundation, Munich, 2002), Morris Graves: Vision of the Inner-Eye, Braziller, NY (1983) and John Cage: New River Watercolors, Virginia Museum of Fine Art, Richmond, VA, and a major critical essay in Writings Through John Cage’s Music, Poetry and Art, University of Chicago, 1999.

 

In 2012 he had two extended residencies at MQ in Vienna, Austria.

 

He is the son of celebrated American Folk Artist Jacob Kass (1910-2000).

 

 www. raykass.com/about

 

 

Description of Ray Kass Collections

 

Silk/Mulberry Paper Collages & "Wave" Paintings

(2000 – 2012)

 

"Kass’ silk and water collages utilize flowing silk on layered mulberry papers as if it were a wash of watercolor. The diaphanous silk mimics the light-filtering ephemeral qualities of water. They share in the spirit of the collages made from found materials by Irwin Kremen. These elegant scraps of weathered and water stained papers were painstakingly collected as found objects and then assembled into intense collages with an intimate yet ambiguously vast scale, creating a dynamic that fills the room."

 

Polyptych Paintings

(1961-2003)

 

"Moving water has always been the inspiration in my painting, Virginia's rivers in particular. My work outdoors always begins with loose but literal drawings of the place – but then evolves into abstract imagery and extraordinary formats in my paintings. My goal is to represent the character of "nature" in its manner of operation – not in its literal pictorial appearance." – Ray Kass

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Wake, 2012

Wake, 2012

Water media, mica on rag paper, under shaved beeswax, mounted on primed panel, framed in white maple
40 x 56 inches

"Watershed" – Mountains & Sea, 2003

"Watershed" – Mountains & Sea, 2003

Water media on silk and laid mulberry papers
41 x 90 1/2 inches

"Watershed" – White & Green, 2003

"Watershed" – White & Green, 2003

Water media on layered silk and laid mulberry papers
30 x 55 inches

"Watershed" – I, 2003

"Watershed" – I, 2003

Water media on layered silk and laid mulberry papers
47 1/2 x 83 1/2 inches

"Mountains & Sea" – Tan & Blue on Copper, 2003

"Mountains & Sea" – Tan & Blue on Copper, 2003

Water color, layered silk and mulberry papers
30 x 55 1/2 inches

Yatsabusa Whirlpool, 2005

Yatsabusa Whirlpool, 2005

Water media and silk on layered mulberry papers

34 x 60 inches (frame size)

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Borrowed View – Periplum (“Chatwin” Polyptych), 10 Panel, 8 – 12/2000

Borrowed View – Periplum (“Chatwin” Polyptych), 10 Panel, 8 – 12/2000

Watercolor and “smoke," under shaved beeswax, on rag paper, mounted on primed wood panels
55 x 57 inches

Borrowed View – Periplum (“Song-line” #3 Polyptych), 10 Panel, 12/2000

Borrowed View – Periplum (“Song-line” #3 Polyptych), 10 Panel, 12/2000

Watercolor and “smoke," under shaved beeswax, on rag paper, mounted on primed wood panels, framed in white maple
43 x 63 inches

Travertine Polyptych – "Scrims" (#4), 7 Panel, 2003

Travertine Polyptych – "Scrims" (#4), 7 Panel, 2003

Water media on rag paper, under beeswax, mounted on primed wood panels, framed in recessed white maple
33 1/2 x 32 3/4 inches

Red Rover Polyptych, 2 Panel, 2003

Red Rover Polyptych, 2 Panel, 2003

Water media and “smoke” on rag paper, under beeswax, mounted on primed wood panels, framed in recessed white maple
25 x 26 inches (26 1/2 27 1/2 inches framed)

12 Panel

12 Panel

8 Panel

8 Panel

Borrowed View – (“Nobodan” #2 Polyptych), 6 Panel, 2001

Borrowed View – (“Nobodan” #2 Polyptych), 6 Panel, 2001

Watercolor and “smoke," under shaved beeswax, on rag paper, mounted on primed wood panels, framed in white maple
31 1/2 x 31 1/2 inches

About Ray Kass

About Ray Kass

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Untitled-1.jpg
Wake, 2012
"Watershed" – Mountains & Sea, 2003
"Watershed" – White & Green, 2003
"Watershed" – I, 2003
"Mountains & Sea" – Tan & Blue on Copper, 2003
Yatsabusa Whirlpool, 2005
Untitled-2.jpg
Borrowed View – Periplum (“Chatwin” Polyptych), 10 Panel, 8 – 12/2000
Borrowed View – Periplum (“Song-line” #3 Polyptych), 10 Panel, 12/2000
Travertine Polyptych – "Scrims" (#4), 7 Panel, 2003
Red Rover Polyptych, 2 Panel, 2003
12 Panel
8 Panel
Borrowed View – (“Nobodan” #2 Polyptych), 6 Panel, 2001
About Ray Kass
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