Going Fierce: A Podcast Interview with Hillary Adler

"I think usually I am writing in the immediacy trying to process the fragments of my life, trying to process what goes on around me. I am wary of saying that I go to the page for therapy because I don't find writing to be in any way therapeutic, but it does help me understand my place or position in the place I find myself in."

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Life & Language with Linda M. Fischer

“Sometimes I can make the ending more forceful by stressing internal rhyme, but it really depends on the content of the poem. There is no magic formula, and it can take hours of head-banging. Afterwards, if I’m pleased with the result, I go through a period of elation. But it doesn’t last—the letdown is not knowing where the next poem is coming from.” 

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A.D. Nauman & the Mansion of Surprise

“I enjoyed pouring my feelings and thoughts directly into 'you,' erasing the line between reader and author. But perhaps the truer reason why I wrote the story in second person is so I wouldn’t have to write it in first. By convention, this would be a first-person narrative, and originally that’s what it was; but then it read like a personal narrative, oozing narcissism. I, I, I. There’s enough narcissism in the world without me adding to it.” 

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