Life & Language with Linda M. Fischer

“Sometimes I can make the ending more forceful by stressing internal rhyme, but it really depends on the content of the poem. There is no magic formula, and it can take hours of head-banging. Afterwards, if I’m pleased with the result, I go through a period of elation. But it doesn’t last—the letdown is not knowing where the next poem is coming from.” 

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A.D. Nauman & the Mansion of Surprise

“I enjoyed pouring my feelings and thoughts directly into 'you,' erasing the line between reader and author. But perhaps the truer reason why I wrote the story in second person is so I wouldn’t have to write it in first. By convention, this would be a first-person narrative, and originally that’s what it was; but then it read like a personal narrative, oozing narcissism. I, I, I. There’s enough narcissism in the world without me adding to it.” 

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